"Tuesday Mg
Well then, I am no longer sorry that I did not read
either of your letters .. for there were two in the collection: I did not read one word of them—and hear
why: when your brother & I took the book between us in wonderment at the
notion—we turned to the index, in large text-hand, and stopped at 'Miss B.'—and
he, indeed read them, or some of them, but holding the volume at a
distance which defied my shortsighted eye— all I saw was the faint
small charactery—and, do you know .. I neither trusted myself to ask a nearer
look .. nor a second look .. as if I were studying unduly what I had just said
was most unfairly exposed to view!—so I was silent, and lost you (in that)—then,
and forever, I promise you, now that you speak of vexation it would give you.
All I know of the notes is, that one is addressed to Talfourd in
the third person—and when I had run thro’ my own .. not far off .. (BA-BR)—I was
sick of the book altogether– You are generous to me—but, to say the truth, I
might have remembered the most justifying circumstance in my case .. which was,
that my own 'Paracelsus,' printed a few months before, had been as dead a
failure as 'Ion' a brilliant success—for, until just before .. ah, really I
forget!—but I know that until Forster’s notice in the 'Examiner' appeared,
every journal that thought worth while to allude to the poem at all,
treated it with entire contempt .. beginning, I think, with the 'Athenæum' which
then made haste to say, a few days after its publication, 'that it was
not without talent but spoiled by obscurity and only an imitation
of—Shelley!'—something to this effect, in a criticism of about three lines among
their 'Library Table' notices: and that first taste
was a most flattering sample of what the 'craft' had in store for me—since my
publisher and I had fairly to laugh at his
'Book'—(quite of another kind than the Serjeant’s—) in which he was used to
paste extracts from newspapers & the like—seeing that, out of a long string
of notices, one vied with its predecessor in disgust at my 'rubbish,' as their
word went: but Forster’s notice altered a good deal—which I have to recollect
for his good. Still, the contrast between myself and Talfourd was so
utter,—you remember the world’s-wonder 'Ion' made,—that I was determined
not to pass for the envious piece of neglected merit I really was not—and
so!–"
This is a novel idea: keep a scrapbook of all of your bad reviews and invite friends to your home and leave it on the coffee table to permit them to read from the book. Certainly less vain than allowing them to read the letters of praise and more fun as well.
Happily he turns to another subject: Miss Barrett's efforts to educate the Americans on Browning's brilliance.
"But, dearest, why should you leave your own especial sphere of
doing me good for another than yours? Does the sun rake and hoe about the garden
as well as shine steadily over it? Why must you, who give me heart and
power, as nothing else did or could, to do well—concern yourself with what might
be done by any good, kind ministrant only fit for such offices? Not that
I feel, even, more bound to you for them—they have their weight, I
know .. but what weight beside the divine gift of yourself? Do
not, dear, dearest, care for making me known: you know me!—and
they know so little, after all your endeavour, who are ignorant of what
you are to me—if you .. well, but that will follow, .. if I do
greater things one day—what shall they serve for, what range themselves under,
of right?–
Mr Mathews sent me two copies of his poems—and, I believe, a newspaper, 'when time
was', about the 'Blot in the ’Scutcheon'—and
also, thro’ Moxon:—(I believe it was Mr M.)—a proposition for
reprinting—to which I assented, of course—and there was an end to the matter.
And might I have stayed till five?—dearest, I will never
ask for more than you give—but I feel every single sand of the gold showers ..
spite of what I say above! I have an invitation for Thursday which I had
no intention of remembering (it admitted of such liberty)—but now .."
Here Browning has written something and then marked it out so that no one can read it.
"(Something I will say!)
'Polka,' forsooth!—one lady whose head could not, and
another whose feet could not, dance! —But I talked a little to your brother whom
I like more and more: it comforts me that he is yours.
So, Thursday,—thank you from the heart! I am well, and
about to go out. This week I have done nothing to 'Luria'—is it that my
ring is gone? There surely is something
to forgive in me—for that shameful business—or I should not feel as I do in the
matter: but you did forgive me–"
He has sent his ring with her hair to be re sized. He cannot write poetry without it. Makes sense. Must have the ring to write the book!
He has sent his ring with her hair to be re sized. He cannot write poetry without it. Makes sense. Must have the ring to write the book!
"God bless my own, only love—ever–Yours wholly RB
N.B. An antiquarian friend of mine in old days picked up a
non-descript wonder of a coin .. I just remember he described it as Rhomboid in
shape—cut, I fancy, out of church-plate in troubled times. What did my friend do
but get ready a box, lined with velvet, and properly compartmented, to
have always about him, so that the next such coin he picked up, say in
Cheapside, he might at once transfer to a place of safety .. his waistcoat
pocket being no happy receptacle for the same. I saw the box—and encouraged the
man to keep a vigilant eye.
Parallel. R.B. having found an unicorn ......
Do you forgive these strips of paper? I could not wait to send
for more—having exhausted my stock."
Browning's unicorn is in a box in her father's house in Wimpole Street.
Next we hear from Miss Barrett:
"Tuesday evening.
It was right of you to write .. (now see what jangling comes of
not using the fit words .. I said ‘right,’ not to say ‘kind’)—right of you to
write to me today—and I had begun to be disappointed already because the post
seemed to be past, when suddenly the knock brought the letter which
deserves all this praising. If not ‘kind’ .. then kindest .. will that do
better? Perhaps.
Mr Kenyon was here today & asked when you were coming
again—& I, I answered at random .. 'at the end of the week—thursday or
friday'—which did not prevent another question about ‘what we were consulting
about.’ He said that he 'must have you,' & had written to beg you to go to
his door on days when you came here,—only murmuring something besides of neither
thursday nor friday being disengaged days with him. Oh, my disingenuousness!–
Then he talked again of ‘Saul’– A true impression the poem has made on him!– He
reads it every night, he says, when he comes home & just before he goes to
sleep, to put his dreams into order, & observed very aptly, I thought, that
it reminded him of Homer’s shield of Achilles, thrown into lyrical whirl &
life. Quite ill he took it of me the ‘not
expecting him to like it so much’ & retorted on me with most undeserved
severity (as I felt it), that I 'never understood anybody to have any
sensibility except myself'– Was’nt it severe, to come from dear Mr Kenyon? But
he had caught some sort of evil spirit from your Saul perhaps; though admiring
the poem enough to have a good spirit instead– And do you remember of the
said poem, that it is there only as a first part, & that the next parts must
certainly follow & complete what will be a great lyrical work—now remember– And forget ‘Luria’ .. if you
are better forgetting. And forget me, .. when you are happier
forgetting. I say that too.
So your idea of an unicorn is .. one horn broken off. And you, a
poet!—one horn broken off—or hid in the black-thorn hedge!–"
This woman is maddening. She drags herself down (most intelligent men would rather have a unicorn with a broken horn than a braying donkey) and then builds him up, comforting him on his bad reviews:
This woman is maddening. She drags herself down (most intelligent men would rather have a unicorn with a broken horn than a braying donkey) and then builds him up, comforting him on his bad reviews:
"Such a mistake, as our enlightened public, on their part, made,
when they magnified the divinity of the brazen chariot, just under the
thunder-cloud! I dont remember the Athenæum, but can well believe that it said
what you say. The Athenæum admires only what gods, men & columns reject.
It applauds nothing but mediocrity——mark it, as a general rule! The good, they
see—the great escapes them. Dare to breathe a breath above the close, flat
conventions of literature, & you are 'put down' & instructed how to be
like other people– By the way, see by the very last number, that you never think
to write ‘peoples’, on pain of writing what is obsolete—& these the teachers of the public! If
the public does not learn, where is the marvel of it? An imitation of
Shelley’s—when if Paracelsus was anything it was the expression of a new mind,
as all might see—as I saw, let me be proud to remember, & I was not
overdazzled by Ion–"
Her words here about The Athenæum are true today. The greatest of men and women are seldom recognized for their greatness. The 'great men' of today are hidden from the public view due to the stifling mediocrity of all media.
Her words here about The Athenæum are true today. The greatest of men and women are seldom recognized for their greatness. The 'great men' of today are hidden from the public view due to the stifling mediocrity of all media.
"Ah, indeed if I could ‘rake & hoe’, .. or even pick up weeds
along the walk, .. which is the work of the most helpless children, .. if I
could do any of this, there would be some good of me: but as for ‘shining’ ..
shining! .. when there is not so much light in me as to do ‘carpet work’ by, why
let anyone in the world except you, tell me to shine, & it will just
be a mockery! But you have studied astronomy with your favorite snails, who are
apt to take a dark-lanthorn for the sun, & so.–
And so, you come on thursday, & I only hope that Mrs Jameson
will not come too, (the carpet work makes me think of her,—&, not having come yet, she may come on
thursday by a fatal cross-stitch!) for I do not hear from her, & my
precautions are 'watched out.' May God bless you always.
Your own––
But no—I did not forgive. Where was the fault to be forgiven,
except in me, for not being right in my meaning?–"
What are we going to do with Miss Barrett? How can we build her up so that she can see her own worth? Ah, well, we shall have to leave it to Browning. But then, if she was aware of her own worth would she still be mesmerized by Browning?
What are we going to do with Miss Barrett? How can we build her up so that she can see her own worth? Ah, well, we shall have to leave it to Browning. But then, if she was aware of her own worth would she still be mesmerized by Browning?
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